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  DOI Prefix   10.20431


 

International Journal of Media, Journalism and Mass Communications
Volume 5, Issue 2, 2019, Page No: 7-13
doi:dx.doi.org/10.20431/2454-9479.0502002

A Critical Analysis of Bollywood Actor Aamir Khan's Selected Movies

Afaq Ahmad*

Research Scholar, Department of Mass Communication, Aligarh Muslim University, Aligarh-202 002, (Uttar Pradesh), India.

Citation : Afaq Ahmad, A Critical Analysis of Bollywood Actor Aamir Khan's Selected Movies International Journal of Media, Journalism and Mass Communications 2019, 5(2) : 7-13.

Abstract

Movies are rollercoaster voyage having stunning persuasion and exhortation to entertain the viewers. Movies leave invigorating and rejuvenating impact on cinemagoers' minds as they can be retrieved and replayed time and again. As far as Bollywood film actor Aamir Khan's movies is concerned, it can be an essential ingredient and catalyst to bring about a methodical social change. In other words, Aamir Khan's movies seem to be a testament to societal reform in the country. Very few studies have been undertaken on Aamir Khan's movies, and on the inescapable messages contained in his movies. The key objective of this paper is to acknowledge the different roles played by Aamir Khan in his movies and analyse the treatment given to the contents in these selected movies. Based on the study of three selected films of Aamir Khan, the researcher made an attempt to diagnose the socio cultural elements scattered in these movies. These movies were willingly selected as AndazApnaApna � a comedy movie, Raja Hindustani � a romantic movie, and Ghulam � a playback singer movie with the intention to go through the multiple aspects in corporated in these movies. The researcher seeks to explore the multifaceted, multidimensional and multi skilled narrative about Aamir Khan by highlighting the stories of various aspects of the society in his films. The outcome of the research study reveals that entertaining, appealing, and captivating features are vigorously portrayed in these movies. Further, the study shows that the beguile, humorous and witty aspects found prominence encompassing dissimilar and divergent communication threads in these three selected movies under study.


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